"Marriage can succeed for an artist only where there is enough money to save him from taking on uncongenial work and a wife who is intelligent and unselfish enough to understand and respect the working of the unfriendly cycle of the creative imagination. She will know at what point domestic happiness begins to cloy, where love, tidiness, rent, rates, clothes, entertaining, and rings at the doorbell should stop, and will recognize that there is no more sombre enemy of good art than the pram in the hall."
Sunday, November 21, 2010
Moments in the history of male chauvinism
From Cyril Connolly's Enemies of Promise (1938, revised pb. edition, 1988), p. 127: